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SENIOR CITIZENS

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Title: SENIOR CITIZENS  Artist: Charleslouis Azuakor  Medium: ink on emboss paper Year: 2025 Nigeria is facing a severe food crisis, and in response, the government has called on its citizens to rise to the challenge by becoming active farmers. The people have answered—bravely taking out loans and securing grants to cultivate the land and feed the nation. But now, their hard work is under threat. Cattle herders are invading farmlands, and their cows are trampling and destroying the very crops meant to save us from hunger. Even worse, farmers are being killed on their own farmlands, and nothing is being done to stop it. It’s heartbreaking. It’s infuriating. It’s as if cows matter more than human lives in this country. Maybe ranching isn’t a thing here. Maybe protecting farmers doesn’t matter. Maybe—just maybe—cows are more important than Nigerian citizens. Maybe cows are even senior citizens.
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EMELIE

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Title: EMELIE Artist: Charleslouis Azuakor  Size: 8 by 10 inches Medium: Mixed media (Acrylic and Charcoal on archival paper) Muse: Maryann Chiemerie Umubulue This piece explores the timeless beauty and cultural significance of coral beads within traditional Nigerian societies, particularly among the Igbo and Edo peoples. Rich in symbolism, coral beads are more than decorative items—they are powerful emblems of royalty, nobility, and ancestral heritage. Traditionally reserved for individuals of high status, certain shapes and sizes of these beads are worn exclusively by titled chiefs, marking their authority and respect within the community. Women also adorn their hair and heads with coral beads, enhancing their elegance and embodying cultural grace. Typically crafted in deep red, orange, or reddish-pink tones, the beads are most visible during vibrant ceremonies—traditional weddings, chieftaincy installations, ofala festivals, and other major cu...
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Nchikota (collection)

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       Nchikota (collection/combination) is my signature .    #Nchikota is about combinations of colour, patterns, inscriptions, ideographics and symbols comprising of mostly ULI, Nsibidi, Adinkra symbols which where usually marked/painted mostly on mud African houses which are no longer in existence.   In order to preserve the heritage, I inscribe them on my works to help define my subjects better, tell our story and have a place in our contemporary space. C.Azuakor.
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